I finally took a longarm class in order to rent time on a longarm machine at The Quilted Rose, here in San Diego. I would now like to offer up my right kidney to the highest bidder so that I can purchase a longarm machine and use it everyday. The machines at TQR are pretty old and huge, and when I rented time, they actually gave me the clunkiest one. I was not super pleased about that, but it did not deter me from longarm quilting in the slightest. It just made me google my other San Diego county options.
So my pieced quilt began with the central fairies fabric which is an out of print Alexander Henry print that I had no idea what to do with, but loved intensely and purchased from an etsy seller that specializes in out of print goodies. Then after our guild (SDMQG) did a Lizzy House challenge during Lizzy house’s visit, I was inspired by my fellow runner up (yes! I was totally a runner up!) and her Unicornio quilt. It was a large scale log cabin with a variety of colors and featuring a Lizzy house unicorn right smack dab in the center.
So I have been adding rich log cabin walls around these mysterious fairies slowly slowly slowly.
If you look closely at the quilting, you’ll see that I basically tried everything I had practiced on paper from An Angela Walters book that I have, Shape by Shape. And it’s very beginner, but again, that machine was a rickety pile, so I am not totally to blame. And the prints are so busy, it doesn’t matter at all. I see it as a longarm sampler for me, and my daughter loves it on her bottom bunk (for when friends come to sleep over, she tells me). It couldn’t possibly go on the top bunk because, speaking of Lizzy House, that spot is reserved for the forthcoming Meadow Quilt (top is already complete!)