So I’ll begin by saying that it’s not you: the pattern booklet for My Small World is confusing and hard to follow. But to be fair to Jen Kingwell (who is a creative genius for sure), the best things about this quilt are its intricacy and personalization, which are the very things that make it hard to translate into a clear, easy to follow pattern.
So rather than following the book’s list of blocks (which our guild’s schedule loosely followed), I thought of this as being broken down into discrete tasks (many of which could be split further into sub tasks). For me and my particular frustration and impatience thresholds (both very low) this worked much better than, say, making 23 pinwheels, then making 16 flying geese, three of which will be used for arrows and 6 of which will be paired as diamonds and then 4 churn dashes and then hourglasses and on and on and you get the idea. I needed to see progress regularly. This thing needed to take shape from the beginning or I was going to lose focus. And I needed to have the larger project in my mind. Which makes Task #1 so invaluable to successful completion.
Task 1: make a blueprint.
One complaint about the pattern is that only finished block measurements are given, all templates are sans seam allowance, and multiple sizes of similar blocks are used. Use graph paper to map out the entire quilt, using the Assembly pages 28-31 in the booklet, and a one square = one inch ratio. I buy these Five Star Spiral Notebook, Graph Ruled, 1 Subject, 8.5 x 11 Inches, 100 Sheets, Assorted Colors (06190) three or four at a time. They are hard to find in stores. I don’t know why, but I have preferred the gridded paper since jr. high school. They make me feel more organized, even when i’m just freestyle doodling. And they make a ton of sense for quilt planning, of course. (They make great bullet journals, too, if that’s your deal.)
I would make a printable copy for others to use, but I already colored mine, and besides it is easy and kind of fun and worth making your own so that you can see which bits you might want to customize as you go.
For instance, I have this amazing fabric that I wanted to cut large fussy cuts from and the 4×4″ spaces meant for orange peel blocks would be the perfect spots for them. This works well for me in a couple ways because I am also not so good at appliqué. “But wait,” you might be thinking, “this quilt is a great way to practice so many skills, and you should use it as an opportunity to improve your Appliqué!”
And I say to you: hush. My goal here is to actually finish the project within a year. I know myself. See above re my frustration threshold. There is still some appliqué with the little rounded door blocks and that’s quite enough practice for me.
So I’ve already mapped out which blocks I’m replacing with fussy cuts or special prints. I can see exactly which flying geese are being used in arrow blocks and which panel each pinwheel will be used in, which makes color planning more feasible. And I’m needing to do a lot of color planning because I’m doing a sunset sky and a low volume and neutral toned skyline. This would be very difficult without a blueprint to work from.
A subtask of this first important task is fabric choice. Once you’ve drawn a blueprint, you can color it in like an adult coloring book and make your fabric choices so you can keep all the bits of this long-term project together. I chose to work from mostly scraps, plus Carolyn friedlander’s Doe collection for the skyline and Moda’s Enchanted by Alisse Courter for the sunset sky.
I found it very helpful to:
1) have these specified collections to choose from in order to limit my options to some extent (I get overwhelmed by indecision and with so many tiny pieces, there are a lot of decisions to make here), and
2) use precuts. I had a charm pack of Doe and with so many 1.5″ and 2.5″ pieces required, a 5″ square of each print was convenient and plenty.
Task one done? Hooray! Congrats on your blueprint. Let’s do this thing.
And I’ll just toot my own horn and mention that my blueprint is drawn in my quilting notebook which I totally copied from fabricmutt’s tutorial (here) with strips of Anna Maria Horner’s Folk Song.